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The untold truth of seven

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One “seven” was sold, it went through a series of rewrites that softened the story. One of the biggest sticking points, of course, was the head-in-the-box climactic scene, and it was originally left out (via Uprox*) after Walker turned in his first draft.

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But Fincher had been sent the first draft by mistake, and as he read it, he was morbidly intrigued. At first he thought it would just be a movie about buddy cops, but it turned into something much deeper and more disturbing. “Suddenly things took such a turn,” he told Empire (via Cinephilia Beyond). “And I found myself more and more trapped in this kind of evil, and even though I was uncomfortable being there, I needed to keep going.”

Finally Fincher asked, “Are they going to do it? At the end there is this head in a box, it’s just amazing.” When a diluted draft was sent to him, Fincher replied in no uncertain terms that he wanted to film the original ending.

As De Luca recalled (by deadline)“There was a softer draft with no head in the drawer, but everything from David to [New Line founder] Bob Shaye, feeling that the ending turned the film into a provocative film, cooler than water.”

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