Glass Onion: A Knives Out Mystery is a flawless sequel to Rian Johnson.

Rian Johnson did the impossible. He followed up his hugely successful Knives Out with a second installment that is just as fun, just as smart, and just as brilliant as the first.

This almost never happens.


And still Glass Bow: Mystery of Knives this is the kind of movie that makes you want to give up your first child just so you can watch it again. And again, and again, and again.

It makes you want to explore every element to understand how Johnson created this beautifully designed piece of art and entertainment, how he used the legacy of Agatha Christie, and how he builds on his own.

It doesn’t mean that glass bow should be an intellectual exercise – although it really fires up those little gray cells – because it can also just be a joyful movie that will put a smile on your face as you cackle and chuckle and chuckle on your way through an insanely fun adventure.

It does both and you can hold both experiences in one hand, or you can just sit back and go on an intoxicating ride.


Following the tradition of Christie’s stories, glass bow takes gentleman detective Daniel Craig Benoit Blanc and plunges him and his disarming southern craving into yet another mystery.

This means that apart from Craig, it’s a whole new set of characters he has to contend with, starting with Miles Bron (Edward Norton), a tech billionaire with a luxurious private island in Greece. Miles invites his friends to an extravagant annual reunion and plans to throw a m*rder investigation party.

Gathered include scientist Lionel (Leslie Odom Jr.), party girl and former model Birdie Jay (Kate Hudson), Connecticut Governor Claire (Katherine Hahn), men’s rights activist and YouTuber Duke (Dave Bautista), Miles’ former business partner Andy (Janelle Monae ), Birdie’s assistant Peg (Jessica Henwick) and Duke Whiskey’s girlfriend (Madeline Kline).

Abandoned on an island each turned against Miles, it’s a cesspool full of simmering grudges and long-held secrets. It’s a real dead end for Blanc — and the audience — and there will be plenty of revelations, big and small, before the credits.


glass bow similar to the puzzle boxes that Miles sends to his friends at the beginning of the movie. It’s an impeccably constructed, intricate, and perfectly crafted homicide detective story in which every element does exactly what it’s supposed to, and it’s only at the end that you realize how Johnson flirtatiously slipped you all the information.

By then, the master storyteller has taken you on a journey and has given you experiences as diverse as Blanc’s Monsieur Hulot-style physical comedy and numerous inspired cameos in the film. There are visual and dialogue gags to please, and costume choices are squeals of delight.

It’s also a direct conversation with modern culture, from high to low: Paris Hilton’s ridiculous fishnet mask appears, as does the philosophy of tech brothers cowering in destruction.

glass bow it’s more than a tribute, it’s the weaponization of a cozy genre with well-established images and its development, and without parody. It’s playful and silly without being tongue-in-cheek, and it never fools the audience. He wants you to agree with him, question everything and enjoy the denouement.

It’s bigger, bolder and bolder than the first Get the knivesand that’s just as exciting. Irreproachable.


Rating: 5/5

Glass Onion: A Knives Out Mystery is in theaters November 23-29 and then on Netflix December 23.

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