Explanation of Vesper’s ending

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In one of the film’s opening scenes, Vesper wonders about his mother and what could have made her leave. Her mother seems to have become a wanderer, one of the veiled women who roam the woods in search of scrap metal.


These pilgrims have giant blinkers around their faces, almost like a massive umbrella, and it is believed that the virus is forcing them to leave their families and wander the Earth. Every time Vesper sees one of these pilgrims, she looks up to him, determined to find her mother. “She’s not coming back,” my father says sharply.

Enter Camellia, a delicate jug, and a woman from one of the citadels. Camellia was created by her “father” Elias, a bioengineer; Camellia, like Vesper, is motherless. For most of the film, Vesper is surrounded by men – her father, uncle and cousins, and all the women are faceless pilgrims. Camellia and Vesper bond, howling like wolves as Camellia teaches her animals sounds, Vesper shares an interest in botany and biohacking. Ultimately, Camellia’s love for the girl is saved by Vesper, as she surrenders to the citadel’s soldiers. After Vesper wakes up to find that Camellia has disappeared, she follows the pilgrims, which may include her mother, to their tower, using what the women have built to scatter the seeds and hopefully save the Earth.

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