Andrew Dominik addresses U.S. Backlash Against Monroe pic ‘Blonde’ –

Andrew Dominick shares his thoughts on the unexpected backlash against his Marilyn Monroe drama. Blonde During a talk at the Red Sea International Film Festival on Sunday.

The feature, which stars Ana de Armas as a tragic, famous actress, divided critics when it had its world premiere at the Venice Film Festival in September and then faced criticism when it dropped on Netflix on September 28. lay down


He admitted that he was surprised by the response at first.

“I was expecting critical success, and then no one would see the film. I’m used to films that have a positive critical response and then people don’t see it. Blonde It was the other way around, at least in America,” Dominic said.

“America was where it was worse. They hated the movie. They were angry about the movie. They were angry about the movie, but a lot of people saw it, so, I was surprised by it.


Dominic said he didn’t let the criticism get to him.


“Criticism only hurts if you agree with it. And I didn’t really agree with any of it. I think the movie is great,” he said.

“You can’t really think of other people for them, but I think when it comes to a famous American, what they want is the biography, they want that person to be celebrated, and that person. The celebration is according to the mood of the time,” he said.


He suggested that his portrayal of Monroe was not in line with the themes of women’s empowerment that were popular at the time.

“We’re living in a time where it’s very important to portray women as empowered, and they want to reinvent Marilyn Monroe as an empowered woman, you know that’s what they want to see,” He continued.

“And if you’re not showing them that, it bothers them,” he added. “Americans really don’t like you to be a monkey with your myths. They often want to jump to a solution without looking at any trauma.

Dominic rejected suggestions from the film’s critics that he had exploited Monroe.


“It’s strange because she’s dead. The film doesn’t matter to her one way or the other,” he said.

“What they really mean is that the film exploits his memory or his image, which to us is quite appropriate. That’s the whole idea of ​​the film, it’s about taking the iconography of his life and putting it in the service of something else. It’s trying to take things you’re familiar with and turn their meaning inside out.


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